Καλλιτεχνία στον χαλκό
Οι Έλληνες
και η κληρονομιά τους
Artistry in
Bronze
The Greeks and Their Legacy
Τα papers του τόμου από τις
εργασίες του 19ου Διεθνούς Συνεδρίου Χαλκού / International Bronze Congress, που
πραγματοποιήθηκε στο Getty Center και την Βίλα τον Οκτώβριο του 2015 σε σχέση
με την έκθεση Power and Pathos: Bronze Sculpture of the Hellenistic World / Δύναμη και Πάθος: Χάλκινα Γλυπτά του
Ελληνιστικού Κόσμου.
Περιεχόμενα / Contents
Introduction —
Jens M. Daehner, Kenneth Lapatin, and Ambra Spinelli
I. LARGE-SCALE
BRONZES
1. The Bronze
Athlete from Ephesos — Georg A. Plattner, Kurt Gschwantler, and Bettina Vak
2. Was the
Colossus of Rhodes Cast in Courses or in Large Sections? — Ursula Vedder
3. Bronzes
from the Aegean Sea: A Reassessment of Old and New Finds — George Koutsouflakis
4. A Royal
Macedonian Portrait Head from the Sea off Kalymnos — Olga Palagia
5. The Bronze
Head of Arsinoë III in Mantua and the Typology of Ptolemaic Divinization on the
Archelaos Relief — Patricia A. Butz
6. The Apollo
from Salerno: Hellenistic Influence in Southern Italy — Silvia Pacifico
7. Tiberius
from Herculaneum: Methods of Assembling a Monumental Bronze Portrait — Erik
Risser and David Saunders
8. When a
Statue Is Not a Statue — Carol C. Mattusch
II. THE ARTIST
9. More Than
Holes! An Unconventional Perspective of the “Greek Revolution” in Bronze
Statuary — Gianfranco Adornato
10.
Polykleitos and His Followers at Work: How the Doryphoros Was Used — Kyoko
Sengoku-Haga, Sae Buseki, Min Lu, Shintaro Ono, Takeshi Oishi, Takeshi Masuda,
and Katsushi Ikeuchi
11. Looking at
the Bronze of Lost Sculptures: The Reception of the Delphic Monument of the
Admirals in the Imperial Age — Eva Falaschi
12. Mobility
and Migration: Issues Concerning Itinerant Sculptors — Martin Horne
III.
STATUETTES
13. Assertions
by the Portable: What Can Bronze Statuettes Tell Us about Major Classical
Sculpture? — Beryl Barr-Sharrar
14. The Use of
Inlays in Early Greek Bronzes — Seán Hemingway and Dorothy H. Abramitis
15. The Poet
as Artisan: A Hellenistic Bronze Statuette in the Metropolitan Museum of Art —
Elizabeth McGowan
16. The
Paramythia Bronzes: Expressions of Cultural Identity in Roman Epirus — Heather
Sharpe
17. Roman
Bronze Figurines of Deities in the National Archaeological Museum of the Marche
(Ancona) — Nicoletta Frapiccini
18. Function
and Use of Roman Medium-Sized Statuettes in the Northwestern Provinces —
Annemarie Kaufmann-Heinimann
19. Through
Celts and Romans: Technology and Symbolism of Bronze Enameled Roosters —
Federica Grossi
20.
Representations of Zeus/Jupiter in Bronze Statuettes from Albania — Sabina
Veseli
IV. THE
HELLENISTIC EAST
21. The
Influence of East and West on Bronze Objects Found in Central Anatolia: Small
Bronze Finds from Kaman-Kalehöyük — Alice Boccia Paterakis and Sachihiro Omura
22. The Portrait
of a Hellenistic Ruler in the National Museum of Iran — Gunvor Lindström
23. The
Influence of Bronze-Working on Roman Provincial Stone Sculpture: The Case of
Palmyra — Fred C. Albertson
V. VESSELS
24. Bronze
Vessels from the Acropolis and the Definition of the Athenian Production in
Archaic and Early Classical Periods — Chiara Tarditi
25. Bronze
Vessels and Related Instrumenta at Delphi: Remarks on Morphology, Provenance,
and Chronology — Valeria Meirano
26. Toward the
Derveni Krater: On the Rarity of Large Bronze Vessels of the Archaic and
Classical Periods Bearing Large Figural Registers — Jasper Gaunt
27.
Iconography of the Sea World on Late Hellenistic Bronze Vessels — Klara De
Decker
28. An
Anthropomorphic Vessel in the National Museum of Beirut — Zeina Fani
29.
Hellenistic, Roman, and Byzantine Influence in the Consolidation of Fatimid
Metalware — Ayala Lester
VI. ARTIFACTS
30. Minoan
Status Symbols: Tweezers, “Weaving Hooks,” and Cosmetic Scrapers — Susan C.
Ferrence and Alessandra Giumlia-Mair
31. Bronze
Trees from the Greek to the Roman World — Marina Castoldi
32. Bronze
Medical and Writing Cases in Classical and Hellenistic Macedonia — Despina
Ignatiadou
33. A Group of
Items from the Campana Collection as an Example of Nineteenth-Century
Restoration — Nadežda P. Gulyaeva
34. Roman
Silhouette Figures: A Contribution to Music Archaeology? — Norbert Franken
VII.
CONSERVATION AND ANALYSIS
35.
Sustainable Conservation of Bronze Artworks: Advanced Research in Materials
Science — Maria Pia Casaletto and Vilma Basilissi
36.
Investigating Ancient “Bronzes”: Non-Destructive Analysis of Copper-Based
Alloys — Robert H. Tykot
37. A
Scientific Assessment of the Long-Term Protection of Incralac Coatings on
Ancient Bronze Collections in the National Archaeological Museum and the
Epigraphic and Numismatic Museum in Athens, Greece — Stamatis C. Boyatzis,
Andriana Veve, Galateia Kriezi, Georgia Karamargiou, Elena Kontou, and Vasilike
Argyropoulos
38. New
Approaches in Stabilizing Chloride-Contaminated Ancient Bronzes Using Corrosion
Inhibitors and/or Electrochemical Methods to Preserve Information in the
Patinas — Vasilike Argyropoulos, Soussani Mavroforaki, Maria Giannoulaki,
Stamatis C. Boyatzis, Thanasis Karabotsos, Aggeliki Zacharopoulou, and Elodie
Guilminot
39.
Conservation Treatments and Archaeometallurgical Insights on the Medici
Riccardi Horse Head — Nicola Salvioli, Stefano Sarri, Juri Agresti, Iacopo
Osticioli, and Salvatore Siano
40. The
Cleveland Apollo: Recent Research and Revelations — Colleen Snyder, Ernst
Pernicka, and Peter Northover
41. The Getty
Herm of Dionysos: Technical Observations, Review, and Interpretation — Jeffrey
Maish
42. A
Technological Reexamination of the Piombino Apollo — Benoît Mille and Sophie
Descamps-Lequime
43. New
Results on the Alloys of the Croatian Apoxyomenos — Iskra Karniš Vidovič and
Benoît Mille
44. The Bronze
Sculpture of Alexander the Great on Horseback: An Archaeometallurgical Study —
Salvatore Siano, Luigia Melillo, Stefano Sarri, and Juri Agresti
45. The Auloi
from Meroë: Preliminary Notes on the Conservation, Technical Examination, and
Interpretation of a Cache of Ancient Musical Instruments — Susanne Gänsicke and
Stefan Hagel
46. A Defined
Protocol for In Situ Micro-XRF Compositional Analysis of Bronze Figurines from
the National Museum of Damascus, Syria — V. Kantarelou, A. G. Karydas, L.
Mahfoud, A. Qurdab, M. Al-Saadi, and V. Argyropoulos
47. Is There
an Ultimate Authority in Authenticity? Testing and Retesting Alexander the
Great — Lisa Anderson, Katherine Eremin, Henry Lie, Francesca Bewer, and
Patrick Degryse
The papers in
this volume derive from the proceedings of the nineteenth International Bronze
Congress, held at the Getty Center and Villa in October 2015 in connection with
the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The
study of large-scale ancient bronzes has long focused on aspects of technology
and production. Analytical work of materials, processes, and techniques has
significantly enriched our understanding of the medium. Most recently, the restoration
history of bronzes has established itself as a distinct area of investigation.
How does this scholarship bear on the understanding of bronzes within the wider
history of ancient art? How do these technical data relate to our ideas of
styles and development? How has the material itself affected ancient and modern
perceptions of form, value, and status of works of art?
KEIMENA / Text by Jens
M. Daehner, Kenneth Lapatin, Jeffrey Maish, Timothy Potts, Erik Risser, David
Saunders, Ambra Spinelli, and Timothy P. Whalen © 2017 J. Paul Getty Trust.
Text by Susanne Gänsicke and Stefan Hagel © Museum of Fine Arts, Boston, and
Stefan Hagel.
All other text © the authors.
ΠΗΓΗ: Published by the J. Paul Getty MuseumGetty Conservation Institute,
November 2017.
© 2017
J. Paul Getty Trust.
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